A new work by Patrick Ward that sets gestures of prosaic demonstration within conventions of cinematic montage to explore how the workings of technical apparatus coincide with the fictions that they facilitate. As sequences of sounds and images emerge across multiple screens, synchretic relationships are convened, explored and exploded.
Shown as part of The Fold, an exhibition programme curated by Dr Sam Belinfante, School of Fine Art, History of Art & Cultural Studies.
Project Space, 25 April – 10 May 2017
